(Source: dwnside)

(Source: homme-classique)

inneroptics:

(Face at Window), 1935 by Elfriede Stegemeyer

inneroptics:

(Face at Window), 1935 by Elfriede Stegemeyer

dinablokhin:

St. Vincent
A piece I painted and designed digitally for Advertising Illustration, a class at SCAD. We were asked to create a portrait incorporated into a stamp. The preferred subject matter was a celebrity, and the only descriptive focus we were given was the word “hair.”

I depicted Annie Clark, known better by her stage name St. Vincent, a talented musician who’s making waves with her unique style of unsettling pop music. I portrayed her with the futuristic hair style she paraded on the cover of her recent self-titled album.
 
Corel Painter, Photoshop. 2014.

dinablokhin:

St. Vincent

A piece I painted and designed digitally for Advertising Illustration, a class at SCAD. We were asked to create a portrait incorporated into a stamp. The preferred subject matter was a celebrity, and the only descriptive focus we were given was the word “hair.”
I depicted Annie Clark, known better by her stage name St. Vincent, a talented musician who’s making waves with her unique style of unsettling pop music. I portrayed her with the futuristic hair style she paraded on the cover of her recent self-titled album.
 
Corel Painter, Photoshop. 2014.
Besides, nowadays, almost all capable people are terribly afraid of being ridiculous, and are miserable because of it.

(Source: memoirsofacitygirl)

iamhe-youarewe:

Lana Del Rey realness

iamhe-youarewe:

Lana Del Rey realness


Banshees: Siouxsie Sioux, 100 Club, 14th February 1978.

Banshees: Siouxsie Sioux, 100 Club, 14th February 1978.


Illustration by Chéri Hérouard for La Vie Parisienne Magazine, 1922

Illustration by Chéri Hérouard for La Vie Parisienne Magazine, 1922

(Source: vintagegal)